Os fans de Justin Bieber, face à atribuição de mais um prémio a Leonard Cohen,
ao verem preterido "o menino" pelo "monstro sagrado",
desataram a disparatar no Twitter, mas, como alguém ali escreveu, "the
difference between Leonard Cohen and Justin Bieber is like the sun compared to
a candle".
Ver:
http://www.craveonline.com/music/articles/486429-leonard-cohen-is-juno-artist-of-the-year-beliebers-cant-belieb-it
Leonard Cohen didn't release his debut
single, "Suzanne," until he was 33. He spent his time up until that
point writing acclaimed poems and novels, traveling the world and bedding a
ridiculous amount of beautiful women. By 1967 it was apparent that there's not
exactly big money in poetry, so he decided to try his hand at singing. Columbia
executive John Hammond (who'd previously signed Bob Dylan and countless other
greats) gave him a record deal months into his new career.
"Suzanne" was inspired by
Cohen's encounters with Suzanne Verdal, the girlfriend of Canadian artist
Armand Vaillancourt. "He got such a kick out of seeing me emerge as a
young schoolgirl, I suppose, and a young artist, into becoming Armand’s lover
and then wife," Verdal said in a 1998 interview. "So he was more or
less chronicling the times and seemingly got a kick out of it."
From the Archives: Ladies and Gents,
Leonard Cohen
Many of the details from the song are
drawn straight from real life, down to the tea and oranges that Verdal served.
"He was 'drinking me in' more than I even recognized, if you know what I
mean," Verdal said. "I took all that moment for granted. I just would
speak and I would move and I would encourage and he would just kind of like sit
back and grin while soaking it all up, and I wouldn’t always get feedback, but
I felt his presence really being with me."
Judy Collins released "Suzanne"
in 1966, months before Cohen's original hit shelves. She turned it into a minor
hit, but Cohen's own version of the song went nowhere, at least initially. Much
like Dylan in 1962, Cohen was looking like a Hammond discovery with a great
gift for songwriting but little ability to sell actual records.
"Suzanne," however, soon took on a life of its own. A huge range of
artists, from Nina Simone to Neil Diamond and Robert Flack, covered it over the
next few years.
The most famous version of the song was
the Judy Collins rendition. Here's video of them singing it together on
television. It took Joan Baez's sweet voice to introduce people to the music of
Bob Dylan, and this was the same case with Cohen and Collins. College students
began checking out Cohen's own work, and word of this brilliant new
singer-songwriter grew, particularly in Europe. Yet he never became much of a
commercial force in America, and by the early Eighties Columbia was refusing to
release his new albums in the States.
Since returning to the road in 2008, Cohen
has undergone one of the most surprising comebacks in musical history. The tour
started in tiny theaters and quickly graduated to huge arenas. At age 78, Cohen
plays for well over three hours and leaves audiences stunned. A hush always
falls over the crowd when he plays the opening notes of "Suzanne.
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